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Spark ignites high-speed filmm...

November 14th, 2025

The new Pixboom is a global shutter Super 35 camera offering up to 1800fps at a cut price

Cast your way to streaming suc...

November 14th, 2025

From solo podcasters to live broadcasters, the RØDECaster Video makes professional live production simple

Big test: Sony FX2

November 13th, 2025

The FX2 blends professional stills with cinema-grade video all in a compact, creator-friendly body

Flare play for personalised pr...

November 12th, 2025

Boutique cinema glass brand Elysas has finally put its Muse Prime lenses into production, with custom options for flare, bokeh, resolution, body colour and...

Tascam takes the guesswork out...

November 12th, 2025

The Portacapture X8 recorder brings the latest 32-bit float audio technology to indie filmmakers

Mini test: Manfrotto One ALU t...

November 11th, 2025

We tested Manfrotto’s One tripod – a flexible, fast and affordable option for hybrid creators

Big screen test for Atomos

November 10th, 2025

Atomos unveils the 27-inch Studio Pro-2710 OLED monitor and K-100 calibration probe, delivering pro-grade colour accuracy

Say Harlowe to my little frien...

November 10th, 2025

The rebranded Harlowe range grows with the Atom 2 modular light and Sol Spectra panels, designed for creators who LEDs on the go

Nits a long way to the top wit...

November 7th, 2025

A super-bright 2200-nit screen powers the new Atomos Shinobi 7 RX monitor

Big test: Sigma BF

November 7th, 2025

With a carved aluminium shell and stripped-back controls, Sigma’s BF is beautiful but fails as a usable video machine

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