Lenses

May 6th, 2026

The fast 35mm prime has long been one of the most important lenses in any filmmaker’s arsenal.

April 8th, 2026

The large format cinema camera with a sensor shape that changes how you shoot

March 25th, 2026

We build a stunning three-lens set to maximise the potential of Canon’s EOS R6 Mark III and EOS C50

February 2nd, 2026

We tested the Sony FE 24-50mm f/2.8 G, a compact full-frame zoom that delivers sharp, contrast-rich images with fast autofocus for stills and video

January 20th, 2026

We put the Laowa 17mm f/4 Zero-D Shift through its paces, assessing image quality, shift control and real-world handling on mirrorless cameras

January 13th, 2026

We put the Laowa 17mm f/4 Zero-D Shift through its paces, assessing image quality, shift control and real-world handling on mirrorless cameras

January 7th, 2026

We took a hands-on look at the Laowa 35mm f/2.8 Tilt-Shift Macro lens, exploring build quality, manual controls and creative tilt effects

December 2nd, 2025

We took Sigma’s 200mm f/2 DG OS Sports into the field – a big, bright telephoto that promises serious subject separation and striking clarity

November 27th, 2025

Big, bright and built for wildlife and action, this Om System 50-200mm f/2.8 zoom proves Micro Four Thirds still has game

November 18th, 2025

In our review of the Sigma 12mm f/1.4 DC Contemporary, we explore how this ultra-wide, fast prime breathes new life into APS-C filmmaking