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Buyers’ Guide to storage: The cutting edge of memory!

August 25th, 2020

We take alook at some of the very latest gear to store your precious data – from memory cards to portable drives and more

Mini test: Sirui 50mm f/1.8 Anamorphic 1.33x lens

August 18th, 2020

The unmistakable cinematic look of a true anamorphic lens has always remained well out of the grasp of independent filmmakers, and that's partly what...

Does size matter?

August 14th, 2020

Is the pumped-up flagship OM-D E-M1X the best Olympus for filmmaking or the newer and more compact E-M1 Mark III?

Buyers Guide: Lighting special

August 12th, 2020

Using additional lights can turn your films from good to truly great. We look at some of the best kit on the market

Sony FX9 test: Indie chart-topper

August 11th, 2020

Sony’s new full-frame FX9 is set to be the camera most independent production companies will be buying or renting

Group test: Middleweight Tripods

March 25th, 2020

We take a look at a range of tripods suitable for mirrorless, DSLR or small cinema cameras

Ultimate guide to lenses

March 16th, 2020

The glass that filmmakers should look to own – and why

7 reasons to love Canon’s C500

March 12th, 2020

The all-new Canon EOS C500 Mark II offers so much – to filmmakers that can justify the price

The surprise offspring

December 9th, 2019

The world’s smallest full-frame mirrorless camera that shoots Raw video internally is the shockingly capable product of the L-Mount alliance

S1H is worth the weight

December 9th, 2019

Panasonic’s new full-frame mirrorless camera might be slow to come 
to market and larger than its rivals, but packs a heavyweight punch

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